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Archive for November 26th, 2008

Chris Masterson Sells Old House

Old House For SaleOld House For Sale

Chris Masterson last year separated from his long time girlfriend, actress Laura Prepon of That ’70s Show and has listed the Los Angeles home they shared for $2.99 million.

The 4,801-square-foot house in the Los Feliz section has four bedrooms and five bathrooms. It was built in 1939. This is a grand, old traditional house with a mahogany-paneled library, formal gardens in the back and a horseshoe driveway that beckons a limo. And there are separate maid’s quarters with full bath.

UPDATE: It sold in December for $2,280,000.

Source: sfgate.com & luxuryproperty.com

November 26th, 2008 (0) Comments - Post a Comment

Bryan Cranston Emmy Win! [Video]

Congratulations to Bryan Cranston for finally winning an Emmy Award! He won in the category of Outstanding Lead Actor in a Drama Series for his role as Walter White is his new show, Breaking Bad.

Finally people are recognizing his talent! If only they would’ve discovered it years ago while he was on Malcolm in the Middle.

We have a collection of photos from the awards and after parties in our GALLERY.

Source: TVGuide & zimbio.com

November 26th, 2008 (3) Comments - Post a Comment

Bid on Jane Kaczmarek’s Pizzazzled Holiday Star!

Christmas and the holiday spirit hasn’t quite hit MITMVC yet, but Jane’s charity Clothes Off Our Back that mainly auctions off celebrity clothes has branched out and has teamed up with Swarovski for some celeb designed Christmas star ornaments.

Jane's Star

With pink and blue variations, Jane’s star is a must-have for seasonal home décor. She adds extreme detail with crystals adorning each aspect of the star – topped with a luxurious blue and white ribbon, coated with Swarovski crystals for a bedazzled holiday look!

Did somebody say Bedazzled, or Pizzazzled?!

Bid on the auctions here, ends December 10.

Source: TVGuide

November 26th, 2008 (0) Comments - Post a Comment

Jane Kaczmarek in ‘The House of Blue Leaves’ [Video]

As we reported a few months back Jane starred in director Nicholas Martin’s new production of John Guare’s The House of Blue Leaves. Above is a short scene from the play.

ocregister.com – Kaczmarek brings a grating harridan’s personality to Bunny, but you see why Artie is attracted to her. Like him, Bunny is powered by unrealistic optimism, and Kaczmarek captures that terrifying, off-kilter energy.

theatermania.com – Kaczmarek, who isn’t naturally well suited to her role, is furthest off the mark. Her Bunny feels too solid, too grounded in normalcy to be comfortable in the fanciful, swirling, eccentric world of a Guare play.

latimes.com – Jane Kaczmarek, in riotous form…Kaczmarek’s Bunny, racing full speed ahead like an express train in hot pink, is the comic engine…acting is top-notch across the board

See photos from the play in our GALLERY.

Source: LATimes

November 26th, 2008 (0) Comments - Post a Comment

Breakfast with Jane Kaczmarek

Jane Kaczmarek

Patricia Sheridan from the Pittsburgh Post-Gazette spoke with Jane back in September.

This is the audio version or click ‘more’ to read the cut down text version.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Source: Pittsburgh Post-Gazette

Q: Just curious: Have you ever had any run-ins with the law?

A: [Laughs.] Well, not the law so much, but I had a run-in with jury duty. It was the last week of Christmas vacation, and I had had jury duty suspended over and over because I was nursing a baby. My doctor said, “You know what? When you finish nursing you’ve got to do jury duty.” It kind of surprised me. Someone told me that if you really shoot your mouth off about being an actress or if you just get really loud and obnoxious you’ll get off because they don’t want those people on a jury. So when she asked me my occupation, I said I played the loud-mouthed mother on “Malcolm in the Middle” and I played Judge Harm on “The Simpsons.” You know, I was really thinking she would say you are released. She asked me if I had been the victim of crime, and I had been. I lived in New York City in the 1980s. I had been held up by knifepoint and gunpoint. The next thing I knew she swore me in. You know, she really wanted to teach me a lesson, and she did.

Q: Did you ever have to reconcile your Midwest value system and your acting career?

A: Hmmm, are you getting at something in particular? You know, I would pass on stuff that I thought was really vulgar. I don’t really watch television, which I’ve always felt I make a living at it but I don’t particularly … I mean, I watch some stuff. We have one TV in our house, and the kids can’t watch it during the week. I don’t know. I think maybe Midwest values just give you a kind of drive to work hard and take responsibility for yourself. I love doing dishes, and I love doing laundry. [Laughs.] I love ironing, love ironing.

Q: Did you have any guilt being a working mother?

A: Not guilt, because the people I have found to take care of them have been extraordinary. It did get to a point where it didn’t matter. I want to be taking care of them. I didn’t want somebody else, no matter how good they are. They are my kids. My last one was born a month before I turned 47, so I waited a long time to have those kids. You know, when “Malcolm” ended I turned everything down because I just wanted to be home.

Q: Do you think having children later in life, as you did, keeps you young or does it wear you out?

A: Both. It definitely keeps you younger because you are hanging around with all these women in their 30s. I think the great thing about being older is you are so much more aware that your days are numbered, this is such a gift. I am so grateful for everything in my life at this point. It doesn’t get any better than this, and you realize this is all going to end one day. Not to really bring you down. I never was so aware of that until I was 50 and likewise so grateful.

Q: You once said just because you are free doesn’t mean you are available. Were you always protective of your personal time?

A: No, you have to learn these lessons. When “Malcolm” started I felt this huge responsibility to participate in every charity that asked me and show up for their fundraisers and show up for whatever they needed. You get burned out. I have my own children to take care of, and I need to refuel. I still send a check, but I probably won’t show up to the event.

Q: Was there a specific moment that triggered the idea for your charity “Clothes off Our Back”?

A: Yes. It was the first year I was nominated for an Emmy, and I was in Beverly Hills coming out of Neiman Marcus. I was looking for the perfect shade of an evening bag. I saw this homeless woman sitting on the sidewalk knitting. She had a birthmark over the side of her face that was exactly the color purple I was looking for in this evening bag. I stopped and thought, what the heck am I doing? There are homeless people living on the streets, and I’m dashing around looking for just the right evening bag. It really shook me to the core. I come from a family that doesn’t waste anything. At UNICEF a dollar immunized a child against measles, which could save their life. So if we sell Jennifer Aniston’s dress for $50,000, which we did the first year, that’s 50,000 children! It became a really tangible thing to do with all this stuff that would make a difference in children’s lives.

Q: Your children are being raised by two famous parents, so how do you keep them grounded?

A: As I said, we have one TV that’s usually never on. I drive a hybrid Honda Civic. Brad drives a Honda. We do something with their birthdays. We write in lieu of gifts please bring a check for whatever amount and we will choose the Smile Train or the Children’s Defense Fund or some children’s charity. Something else we’ve done when we’re in New York is we go to FAO Schwarz and tell them this is the most famous toy museum in the world and nothing here is for sale. They believed it until about a year ago. It was great. They would go ohh and ahh and never ask for anything [laughs].

November 26th, 2008 (0) Comments - Post a Comment

Jane Kaczmarek ‘Not Slowing Down’ Interview

Jane Kaczmarek shows off the bra stuffed with birdseed that she wears for the play The House of Blue LeavesIn September Jane did an interview with the LA Times about life, work and Malcolm while rehearsing The House of Blue Leaves.

No slowing down for Jane Kaczmarek
Three young kids and plenty of acting roles, including the play ‘The House of Blue Leaves,’ make for one busy woman. By Diane Haithman

It’s a truism of the theater: Nuns are funny. Just ask Nicholas Martin, director of John Guare’s “The House of Blue Leaves,” the inaugural production of the newly remodeled Mark Taper Forum, reopening Saturday after a $30-million makeover. “It’s true. No matter what you give a nun to do — especially drinking a bottle of beer,” Martin observes.

During a recent rehearsal at the Taper, Martin is keeping track of a trio of very funny sisters, locked out on the roof of a Queens apartment building in a misfired attempt to get a better view of the visiting pope.

There is one thing that’s even funnier than nuns onstage: bras. Particularly the B-52 model that Jane Kaczmarek is wearing beneath her snazzy hot pink dress in her role as Bunny Flingus, mistress of Artie Shaughnessy (John Pankow). Artie is a zoo attendant who dreams of being a songwriter. Bunny, also a dreamer, encourages Artie to contact an old high school chum who is now a Hollywood producer, hoping he can spirit them both out of Queens and away from Artie’s mentally ill wife, Bananas, played by Kate Burton, Kaczmarek’s former roommate at Yale Drama School and the wife of Michael Ritchie, artistic director of Center Theatre Group, which oversees the Taper.

While waiting for the scene to begin, a red-faced Rusty Schwimmer, who plays the head nun, lapses into Yiddish as she sweats in her heavy black habit: “Oy, the schvitzing,” she complains, fanning herself with her long black skirts.

As the nuns rehearse the awkward business of climbing in the window, Kaczmarek casually grabs her prominent breasts, one in each hand, and rearranges them. See, they’re not really hers. As she explains later in her dressing room, the bra is filled with birdseed to give it extra heft. “See?” she says, delightedly handing over the contraption for appraisal.

Defending ‘Malcolm’

“House of Blue Leaves” is a nutty play. But this oddball stage family can’t faze Kaczmarek, 52, best known for her role as exasperated Lois, mother of five boys, in the 2000-06 TV comedy series “Malcolm in the Middle.”

Kaczmarek never liked hearing the “Malcolm” clan labeled “dysfunctional.” “I think we were so functional; I don’t think people know what the word means,” she says. “It’s become sort of a garbage term for something that isn’t ‘Ozzie and Harriet.’ ”

Although Kaczmarek’s family life is decidedly less shrill, from the outside it looks as complicated as the one depicted on “Malcolm.” She is married to actor Bradley Whitford, who starred on the long-running NBC series “The West Wing” (1999-2006). Whitford currently stars in the comedy “Boeing-Boeing” on Broadway. The Pasadena couple have three children: Frances 10, George, 8, and Mary Louisa, 5.

Although she is nothing like Lois, the mom from hell, family life is important to Kaczmarek. In fact, she comes to “House of Blue Leaves” because of a connection that feels like family: Her longtime friendship with Burton. Kaczmarek’s daughter Frances is a classmate of Burton’s daughter Charlotte, and the mothers have wanted to do a play together for years.

“We are connected on so many levels; we have to keep reminding ourselves that we are two fifth-grade moms who just do this other thing, which is act,” Burton says. “She’s doing what every actor who is a parent hopes to do: You hope to be fulfilled by your work, but, and the same goes for me, you are a parent first.”

Meanwhile, the former roommates are delighted to be back in the theater. Says Burton, “If we ever do this play somewhere else, we might switch roles . . . because they really are two sides to the same coin, Bananas and Bunny. They are two of the greatest female characters ever created.”

You might call Kaczmarek’s TV children and her real kids a blended family of sorts: Two of Kaczmarek’s children were born during the “Malcolm” years. “There was a fateful week when NBC called and said ‘West Wing’ was picked up, and Fox said that ‘Malcolm’ was picked up, and the next day the doctor called saying I was pregnant,” Kaczmarek recalls. “We had a toddler, two television series, we were living in a rental while our house was being renovated, and I was pregnant with No. 2.”

George was born with an immune system deficiency that fortunately was short-lived. “The first episode back, they said: ‘You’re in a bathing suit.’ I said; ‘No, I weigh 154 pounds, I’m nursing, I’ve got varicose veins the size of my thumb!’ ” Kaczmarek exclaims. “I insisted on wearing support hose underneath my swimming suit, a sarong over the suit, and getting a stand-in.”

Family was a large part of the reason that Kaczmarek insisted that her next TV series job be part time: She is one of the ensemble cast of “Raising the Bar,” a new TNT legal series created by Steven Bochco and David Feige. Bochco agreed to a filming schedule that would enable Kaczmarek to work only two days a week to portray stern Judge Trudy Kessler, a former public defender with a hardened outlook and a rather twisted personal life.

“She’s a gifted actress, she’s the right age, she’s really smart, and she obviously brings a marquee value to the show,” Bochco says of Kaczmarek. “But what was nice about it is it put her in a role that I think audiences aren’t used to seeing her in after all those years on ‘Malcolm.’ ”

Feeling grown up

For her part, Kaczmarek likes not playing “Mom” for a change. “When I was doing ‘Malcolm’ . . . I was with those kids all the time; they are not the most stimulating companionship,” she says, laughing. “Doing ‘Raising the Bar’ was fun because it was adults — funny and irreverent. And I got to wear such nice clothes.”

Kaczmarek says she was willing to commit to juggling family with her grueling “House of Blue Leaves” schedule, eight shows a week, because of the play’s relatively short six-week run.

Plus the actress — whose credits include “Lost in Yonkers” on Broadway and a host of regional theater productions, including an Ovation Award-winning turn in “Kindertransport” at L.A.’s Tiffany Theatre — is just plain happy to be back on the boards and to share the theater experience with her kids.

“Hanging around TV studios is not a place I like my children to be,” she admits. “The wonderful thing about theater is, we’re all in the same boat, we are in one room for the day, there’s one toilet, everybody brings their lunch. There’s one pot of coffee. In television, everybody goes off to their trailers. The intimacy that happens during a play is so much deeper.”

But speaking of families, while Kaczmarek has enjoyed the range of roles her career has allowed, she admits her doting parents back in Milwaukee — Edward, 84, and Evelyn, 81 — don’t always understand what an actor’s life is all about.

“They don’t take any of this seriously,” Kaczmarek says. “They don’t watch television; they did not like ‘Malcolm in the Middle.’ They would watch it for me, and they would always call me and say: ‘Your facial expressions are some of the best facial expressions you’ve ever made. But we don’t like it when children spit pizza on television.’ “

November 18, Jane attended the Air Force Week reception at the Griffith Observatory.

Jane Kaczmarek, daughter of a retired Air Force Reserve colonel, spoke about the World War II contributions of nurses and Women Airforce Service Pilots. She presented the award to Edith McClure, a nurse who served overseas, caring for Americans and German prisoners of war.

“Nothing makes me happier or (feel) safer or prouder than seeing an Air Force uniform…WASP pilots broke in new aircraft and tested repair planes while receiving no rank or benefits…Their work was so dangerous that no private insurer would cover them. Despite their tough job, they were expected to fly wearing dresses, hosiery and high heels.”

Source: af.mil & latimes.com

November 26th, 2008 (0) Comments - Post a Comment


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