Forbes have named Frankie Muniz the 20th richest celebrity under 25, based on 2006 earnings.
Forbes with E! aired a TV show about the list last year. Although brief Frankie said he had 30 cars, he made $30,000 an episode at the beginning of Malcolm in the Middle and $120,000 at the end and based on those figures user MalcolmFun estimates he made 1/2 a million on Stay Alive.
Originally titled Intellectual Property, Dark Mindstarring Christopher Masterson is now available on DVD released December 4, 2007.
Paul, an optimistic inventor, turns into a recluse after facing a brutal betrayal. Convinced that Russians are spying on him, he struggles to protect his greatest invention: The Cube. When an accident thrusts him into the spotlight, his sense of reality is threatened and his world becomes twisted beyond recognition.
At the beginning of last month Christopher Masterson was envolved in a small street fight behind club LAX. According to the video he got punched but its not very clear. All at MITMVC hope he was OK!
Andy Dick and Frankie are both guests on the Jimmy Kimmel Show. Andy is falling down drunk and disgusting on live TV and Frankie tells him “Dude, you smell like butthole.” Jimmy agrees at which point Andy whips it out and urinates on the both of them.
MO, Erik Per Sullivan’s latest film is coming to DVD on January 16. We have been in contact with one of the films producers (Monica Lederman) and we are excited to say that we have an opportunity to ask Erik and the films writer/director Brian Scott Lederman some questions.
Got a burning question for Erik? Wanna know what playing Dewey and Mo was like? Join our forum and post your questions!
MO, an inspirational, stylized independent movie from first-time director Brian Scott Lederman. MO is an amusing, yet poignant true story about a boy living with Marfan syndrome, a serious connective tissue disorder. MO was the centerpiece film at this last year’s Malibu International Film Festival.
Frankie Muniz was in Grand Cayman from Friday 7 to Sunday 9 December, 2007 for 5th Annual Charity Cayman Classic, which is a benefit golf tournament.
Frankie Muniz: “It’s my first time in Grand Cayman and I’m loving it, it’s beautiful. I’ll be playing a round of golf tomorrow which I’m really looking forward to.”
A few of those who were writers for Malcolm in the Middle have been featured in news articles during the term of this WGA (Writers Guild of America) Strike, or have posted their own articles or blogs on the subject. David Sacks and Jay Kogen are two such individuals.
Reuters reported on January 10th that Writer David Sacks is finding time between his current executive producer duties on Comedy Central’s The Root of All Evil to pen “Vigfus,” a parable about Vikings who end up in modern-day New York and find the city too gentle. “It has been a great outlet during the strike,” said Sacks, who with his writing partner Brian Ross recently turned in a second draft.
Writer Jay Kogen have wrote a long letter on January 6th to those taking part in the strike as well as the strike’s supporters. He speaks to the writers about how they should not listen to the AMPTP (Alliance of Motion Picture and Television Producers) until they are ready to deal, which he believes they are not at this time.
For more information and an overview of the WGA Strike, check out the entry in Wikipedia.
Cloris Leachman, who played the role of Grandma Ida on Malcolm in the Middle, is creating a one-woman stage show that will be an overview of her acting career. The show is titled Cloris!.
While her many portrayals will be re-enacted by an actress playing Cloris (which has yet to be found), many of her television and other roles will simply be played on a screen during the show that will include comments given by people on those shows (as to which, if any, of Malcolm in the Middle’s cast have provided such comments is currently unknown.)
“Cloris!” hopes to make its world premiere in her home town of Des Moines, Iowa, some time next year. It’s in the beginning of its workshop phase right now.
That means Leachman and her ex-husband, writer-director George Englund, are experimenting with the material, seeing what works with the audience, what needs to be added, what needs to be subtracted and what needs tinkering or massaging.
But one thing is clear after the first experiment in front of a capacity crowd: Englund has selected a quality block of talent that is quite capable of being molded into the multiple, wide-ranging characters he has envisioned for a national showcase.
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